Semiotics
of Culture: Postmodern Invisible Geographies
Dr. Paul Harris
"Tridimensional artistic view of
the Verhulst Dynamics"
Image by Jean-Francois Colonna,
used with permission
Course description:
This class will explore the
relations between writing, the self and space in the postmodern era. The
readings and writing assignments seek to define, draw and then continually
reconfigure the boundaries between imagined places, textual spaces, and
physical environments; we will move fluidly between words and things, and
in the process create and begin to inhabit written spaces.
This is both a theory and
a writing class, and our readings and assignments reflect both components.
We will develop a theoretical framework of semiotics, the study of sign
systems, and then see how this framework illuminates a series of fictional
and critical works. In particular, the course focuses on how sign systems
become self-reflexive and invent new signs, and in the process generate
new "invisible geographies." Our readings will be quite diverse:
a range of postmodern novels, critical theories of culture, semiotics and
writing in the computer age, and texts on architecture and cities. The
quantity of the reading is not overwhelming, but some texts are complex.
Course Texts:
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Auster, New York
Trilogy
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Barthes, Mythologies
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Calvino, Invisible
Cities
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Powers, Operation
Wandering Soul
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Pynchon, Vineland
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Rotman, Signifying
Nothing: The Semiotics of Zero
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Wittig, Invisible
Rendezvous
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Plus: xeroxed reading
packets
Evaluation:
You will generate a continuous
text that accumulates as we go. For each unit, the text will be collected,
responded to, and given a grade for that unit. You will then receive a
final grade at the semester's end on the text as a whole, the final grade
reflecting the average of the seven unit grades, with improvement and effort
taken into account. You will also be graded for participation in the class,
which includes your contributions to both class discussions and collective
writing projects.
READING SCHEDULE:
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Weeks 1-2 Unit: Un-Earthing
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Texts: Marinetti, Jameson;
Bonaventura Hotel (building)
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Topics: Cities as Conduits
of Force to Carriers of Information; Digging and Decentering the Ground
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Writing: Journal of
Bonventura visit and reading notes
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Weeks 3-6 Unit: Cultural
Semiotics
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Texts: Barthes, Mythologies;
Rotman, Signifying Nothing; Auster, City of Glass; Wittig,
Invisible
Rendezvous (ch. 1)
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Topics: Intro to Semiotics;
Signs and Culture; Names and Things; Building Codes
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Writing: Cultural Sign
essay/Auster: Signs and Difference
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Weeks 7-8 Unit: Zoning
I
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Text: Pynchon, Vineland
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Topics: Zoning Laws
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Writing: Geographies
of the Self: Telepathies/Telepathologies
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Weeks 9-10 Unit: Invisibility
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Texts: Wittig, Invisible
Rendezvous (ch. 2-4); Calvino, Invisible Cities
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Topics: Invisible Signs/Signs
of Invisibility; Invisible L.A.
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Writing: Immaterial
Worlds/Materialization of the Sign essay; Invisible L.A. Project
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Weeks 11-12 Unit: Geo-Graphy
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Texts: Wittig, Invisible
Rendezvous (ch. 5-6); SimCity software; Eisenman, Houses of Cards;
Mandelbrot Set software
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Topics: Wandering, Walking
and Writing; Hunting and Gathering; Found and Virtual Texts; Cities of
Absence; Topology
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Writing: Invisible L.A.:
defining a route/Virtual City text
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Weeks 13-14 Unit: Zoning
II
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Text: Powers, Operation
Wandering Soul
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Topics: Imaginary Journeys;
Global Bodies
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Writing: Fractured Timezones
and Broken Homes
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Week 15 Unit: Subjectivity
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Texts: Wittig, Invisible
Rendezvous (ch. 7-9)
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Topics: Author-izing;
Potential Self/ves
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Writing: Writing the
Self/Signing Off
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